I’m a poet. And then I put the poetry in the drama. I put it in short stories, and I put it in the plays. Poetry’s poetry. It doesn’t have to be called a poem, you know.

Deliberate cruelty is unforgivable. --Blanche Dubois

The process by which the idea for a play comes to me has always been something I really couldn't pinpoint. A play just seems to materialize; like an apparition, it gets clearer and clearer and clearer. It's very vague at first, as in the case of Streetcar, which came after Menagerie. I simply had the vision of a woman in her late youth. She was sitting in a chair all alone by a window with the moonlight streaming in on her desolate face, and she'd been stood up by the man she planned to marry.

The strongest influences in my life and my work are always whomever I love. Whomever I love and am with most of the time, or whomever I remember most vividly. I think that's true of everyone, don't you?

What is the victory of a cat on a hot tin roof? - I wish I knew... Just staying on it, I guess, as long as she can.

We lose the magic whenever we stop telling our story and begin to wonder how we're doing, if we're selling it, if the listener likes us. Just tell the story and go on to the next one. All of us are full of stories the world might want to hear.

Why, man alive, Laura! Just look about you a little. What do you see? A world full of common people! All of 'em born and all of em' going to die! Which of them has one-tenth of your good points! Or mine! Or anyone else's, as far as that goes - gosh! Everybody excels in some one thing. Some in many!