The entire drug phenomenon of the 1960s happened without the concept of shamanism to help it along.

Memory training is great psychedelic training.

Cultures are virtual realities made of language.

Escape into the dream. Escape, a key thing charged against these drugs, that they are for escapists. I think the people who make this charge hardly dare dream to what degree they are escapist.

And I want to thank all the women that support me. I have wonderful support systems from women of all types who seem dedicated to the notion that Terence McKenna can always be improved. I'm extremely grateful for that. The frontiers are enormous in that dimension.

If you sit down with a person, or a watermelon for that matter, when you're stoned and sing into it, the quality of the hallucination is such that there is a way of thinking about it where you could say, 'This is an acoustical hologram of the interior of their body.'" I don't say that.I just say, "My goodness isn't it strange that I seem to be able to see inside of the watermelon when I'm doing this.'

The shaman is a very peculiar figure. He is critical to the functioning of the psychological and social life of his community, but in a way he is always peripheral to it. He lives at the edge of the village. He is only called upon in matters of great social crisis. He is feared and respected. And this might be a description of these hallucinogenic substances.