For me, what all these years of psychedelic taking came to was a new model of how reality works, a new model of what the world is.

It is curious that what these psychedelics do, on a scale of a community, is they release new ideas. . . . And that this is how culture moves forward. That culture is a phenomenon dependent on the generation of ideas, plans, notions, connections. So this is precisely what these compounds are doing.

The thing that is so powerful about the psychedelics is that they perform on demand, which almost in principle you cannot expect of a mystical experience because that would be essentially man ordering God at man's whim, which is not how it's supposed to work.

And that we cannot go to space with our feet in the mud. Nor can we in fact turn ourselves into an eco-sensitive hallucinogenic-based culture on Earth unless we fuse these dichotomous opposites. It is only in a coincidencia oppositorum, a union of opposites, that does not strive for closure, that we are going to find cultural sanity. And this is the thing that the entheogens, the hallucinogens, deliver with such clarity and regularity. They raise paradox to a level of intensity that no one can evade.

The culture cannot evolve faster than the language. The language is the flashlight that shows the path.

The fungi became, or is for some mysterious reason still to be discovered, a pipeline into a mind, an entelechy, which we can only image as feminine and can only associate somehow to the environment, to the ecosystem. This is the Gaian mind. This is what the goddess really is. The goddess is a network of connective intelligence that is operating on this planet.

This is the key. If you get into deep water with these substances, this is true of psilocybin as well, you don't want to clench, you don't want to assume the fetal position and stop breathing. You want to sit up straight and breathe, and sing, and sing it back, and it will step back. You can take control of your situation ... most of the time.