Nature and the imagination seem to be the precursors to involvement in the psychedelic experience.

The 'public' has no history, has no future, lives in a golden moment created by credit, which binds them ineluctably to a fascist system that is never criticized. This is the ultimate consequence of having broken off this symbiotic relationship with the vegetable, feminine, maternal matrix of the planet.

I often like to think that our map of the world is wrong, that where we have centered physics, we should actually place literature as the central metaphor that we want to work out from. Because I think literature occupies the same relationship to life that life occupies to death. A book is life with one dimension pulled out of it. And life is something that lacks a dimension which death will give it. I imagine death to be a kind of release into the imagination in the sense that for characters in a book, what we experience is an unimaginable dimension of freedom.

And yet my, not only my faith, but my experience has led me to believe that the world is not a construction of space and time and matter and energy. That that mapping is insufficient. That the world is instead some kind of a linguistic construct. It is more in the nature of a sentence, or a novel, or a work of art than it is in the nature of these machine models of interlocking law that we inherit out of a thousand years of rational reductionism.

The thing is that it is incredibly frustrating to anyone who would control it, because you can't predict the impact of any technology before you put it in place.

Only responsible human beings can exist in an anarchistic society.

Our medium is meat, but we are made of information.