There are so many rules about play writing. I'd have a nervous breakdown if I followed them.

Technology promises to let us do anything from anywhere with anyone. But it also drains us as we try to do everything everywhere. In a surprising twist, relentless connection leads to a new solitude.

I've had wonderful collaborators. They're very different, just as actors are. Working on a show with Nathan Lane is different from working on a show with Chita Rivera. It keeps you on your toes because it's different every time.

Write plays that matter. Raise the stakes. Shout, yell, holler, but make yourself heard. It's time for playwrights to reclaim the theatre. We do that by speaking from the heart about the things that matter most to us. If a play isn't worth dying for, maybe it isn't worth writing.

I don't think I've ever written anything even remotely naturalistic. The closest probably would be seen as 'Frankie and Johnny,' and that's only 'cause they eat a sandwich and make an omelet in act two. But it's a romantic fairy tale, and I'm very aware of that. I don't think it helps the actors in my plays to lose themselves in the reality of talking to another person. A good McNally actor always knows he's in a play with an audience.

Young people have got to start their own theaters, really. All good theater is a kind of mom-and-pop operation. Start your own theater.

I'm of the school 'Write what you know.' You can educate yourself, but the best writing usually comes from the heart.