If you enjoy learning, if you enjoy the curiosity of music and what can be done with it, and stop looking at it as something you have to do because someone says this is what you have to do to be a professional, you know, learn it because you're curious about it and then I think you'll have a much better creative sense and enable this inner voice to come out. These things are not taught and are not encouraged.

If I had my brothers I think with just a little bit of the correct marketing, I'd like to be almost exclusively in small theaters. You know, to me it's like a church for music. You can sit down and really give yourself to the performance and be comfortable with good surroundings and a clean, quiet atmosphere.

I feel qualified and competent to try anything that's thrown my way because I don't have to be a success. I can just try.

There's nothing that can prepare you for fame and for the music business at any point in history.

I try to put what's evocative in the music to me, I try and put that out there in terms of titles and imagery, or implication towards the listener.

There are things I've kept over the years and then someday I might pull up a program of some tune that I've done and I go "Wow, I know what to do with this now".

If you enjoy learning, if you enjoy the curiosity of music and what can be done with it, and stop looking at it as something you have to do because someone says this is what you have to do to be a professional, you know, learn it because you're curious about it and then I think you'll have a much better creative sense and enable this inner voice to come out. These things are not taught and are not encouraged.