I'd love to do music for films.

Being a professional does not have a very high standard.

I've composed all my life and kept things, and even developed things I've done in college into something now.

Of course the headspace for the young musician is whatever the guy who is paying you says, is right, but that's all.

Money and fame are very inconvenient and very problematic.

The way we teach is a very linear kind of way.

If I had my brothers I think with just a little bit of the correct marketing, I'd like to be almost exclusively in small theaters. You know, to me it's like a church for music. You can sit down and really give yourself to the performance and be comfortable with good surroundings and a clean, quiet atmosphere.