Who would you be but who you are?

The more complex and overwhelming the threat to a protagonist, the better the opportunity for the author to create a compelling conflict and a dramatic resolution.

You can either give in to what youre feeling, just say ‘okay, enough is enough’ and be done with it, or you can fight it.

We live out our lives as we are meant to live them-with some choice, with some chance, but mostly as a result of the persons we are.

Lester del Rey told me repeatedly that the first and most important part of writing fiction is just to think about the story. Don't write anything down. Don't try to pull anything together right away. Just dream for a while and see what happens. There isn't any timetable involved, no measuring stick for how long it ought to take. For each book, it is different. But that period of thinking, of reflection, is crucial to how successful your story will turn out to be.

A cat never discusses his business with humans, not even Princesses. A cat never explains and never apologizes. A cat never alibis. You must accept a cat as it is and for what it is and not expect more than the pleasure of its company.

I would also argue that there is a good chance that an outline will help you stave off any onslaught of writer's block. Let me advise you right up front that I am not a big believer in writer's block. I think writer's block is God's way of telling you one of two things - that you failed to think your material through sufficiently before you started writing, or that you need a day or two off with your family and friends.