Writing fantasy lets me imagine a great deal more than, say, writing about alligators, and lets me write about places more distant than Florida, but I can tell you things about Florida and alligators, let you make the connection all on your own.

On the other hand, I still approach each book with the same basic plan in mind - to put some people under severe stress and see how they hold up.

Growing up, I didn't have a lot of toys, and personal entertainment depended on individual ingenuity and imagination - think up a story and go live it for an afternoon.

You can get away with breaking all of the other rules at least once in a while, but you can't get away with breaking this one. Readers will accept almost anything from you if you don't make them feel they have wasted their time and money. Remember, you can bore readers in a lot of different ways. It doesn't necessarily take a dearth of action; too much action can get you the same result. Everything in writing, like in life, requires balance.

Anyway, several rewrites later, Del Rey Books did publish my first novel, and it did become the first work of fiction on the New York Times trade paperback bestseller list.

THE NAME OF THE WIND marks the debut of a writer we would all do well to watch. Patrick Rothfuss has real talent, and his tale of Kvothe is deep and intricate and wondrous.

I remember one winter, when I was about five or six, I spent three days with another boy, tracking a bobcat that had been sighted in another county fifty miles away, but which I was sure had come into our neighborhood.