Faith, Princess," the Prism Cat repeated. "It is a highly underrated weapon against the dark things in this world.

My interests are different now than they were thirty years ago.

Lester del Rey told me repeatedly that the first and most important part of writing fiction is just to think about the story. Don't write anything down. Don't try to pull anything together right away. Just dream for a while and see what happens. There isn't any timetable involved, no measuring stick for how long it ought to take. For each book, it is different. But that period of thinking, of reflection, is crucial to how successful your story will turn out to be.

What we have in life that we can count on is who we are and where we come from, she thought absently. For better or worse, that's what we have to sustain us in our endeavors, to buttress us in our darker moments, and to remind us of our identity. Without those things, we are adrift.

If you do not love what you do, if you are not appropriately grateful for the chance to create something magical each time you sit down at the computer or with a pencil and paper in hand, somewhere along the way your writing will betray you.

You spend so much time wondering who you are, don't you think? You flounder about, searching for your identity, when most of the time it is plain as the nose on your face. You struggle with questions of purpose and need, and forget that the answers are found mostly inside yourselves.

Fiction writing is a twenty-four-hou r-a-day occupation. You never leave your work behind. It is always with you, and to some extent, you are always thinking about it. You don't take your work home; your work never leaves home. It lives inside you. It resides and grows and comes alive in your mind.