You can't be perfect, so enjoy your imperfections.

I would have been a lot more nervous if I would had known that Matthew McConaughey was [on 30th Annual Television Critics Association Awards] and Julia Louis-Dreyfus was there and all that, and I was like, "Wait a minute and Bryan Cranston's here..." I think I would have got more nervous. But I think thinking it was just like, "Oh yeah critics, we're good." It was great.

There was definitely a pecking order, and when Stallone walked in, we were like, "All hail!" He came in with his big forearms, pointing and telling everybody where he wanted the cameras with his big cigar ablazing, and you just go, "This is Stallone!" with admiration, because none of us would be here without this guy. That's the thing, he changed movies forever

First of all you got ESPN, Fox Sports, all that, you don't miss one thing. People don't understand that. Like you could watch the whole NFL, I've got the RedZone coverage, I got my DirecTV stuff. You can watch everything in the NFL in a whole hour and you missed nothing. Anything that was worth watching is going to be played over and over again. It's like the MTV Awards.

I've always had this juxtaposition of characters, because I'm an artist. I'm a very quiet person at home and introspective and the whole deal, and then I can be really big later. I had no problem.

I call myself the Amusement Park. That's because I'm funny and scary at the same time.

The difference between me and Tiny Lister is that he has never been the greatest actor, he hasn't been able to do a lot of big talking parts in movies, or even... he kind of has one emotion. He never looks at his career as an obstacle, he only looks at the positives. He's done... he knows, he has an opportunity. I mean, you see in a script, "Tiny Lister" type, you know you've made your mark. I mean on Friday After Next, that's what everyone expected me to be the new Tiny because it was that sort of part to fill that role, but if you look at the movie, there was a lot more there.