When you have writers who recognize they're making a wrong turn and correct it, I knew I was in good hands.

I have to say, Any Given Sunday was good, but it was too ambitious. You can't do everything in three hours. It went on through ownership issues, quarterback issues, the running back issues, LT issues, and all that, even the coach issues. It was too much. Whereas, Playmakers says, Yeah, you got all those problems, but my god, you're playing football, you're doing the best thing in the world. You're playing football, you're having fun, you're getting paid to play a game. Well, with all the bad things about Hollywood all the drug use, all that, it's still a pretty good life.

The Muppets are no joke. They are for real. Each one has an agent and manager and all that stuff. I'm not even kidding.

If everyone's happy, then I'm the character where when I enter that means there's trouble. In a movie, when I enter, it's not a good thing. But I know where I'm at. But, you know, you don't have to call me by my character's name for months on end. Football taught me that, because you can go from being best friends to having to play that person on another team, you have to be able to turn that on and off. You need to find that middle ground.

There was definitely a pecking order, and when Stallone walked in, we were like, "All hail!" He came in with his big forearms, pointing and telling everybody where he wanted the cameras with his big cigar ablazing, and you just go, "This is Stallone!" with admiration, because none of us would be here without this guy. That's the thing, he changed movies forever

All of a sudden I got a call the night of the first time we were filming and they're like, "Terry, we made a mistake. We need you to be you. You're not a joke with these guys and you're not mousy, you're very aggressive. Now it just so happens that you're going through these things, but we need you to be more physical in your role."

School is cool. Thats why it rhymes