You haven't experienced anything until you've been to Africa. You know the world is bigger than you are after you see Africa.

I kind of put myself out there a lot just because I trust the people I'm working with. You have to see what works and what doesn't. Sometimes it's not my job to find that out, it's just my job to do what the character calls for. And if you change the character I'll do that too.

My mantra is "I don't want to let anybody down." Maybe that's not the right attitude, because you can't please everybody. But I'm giving it everything I've got.

If everyone's happy, then I'm the character where when I enter that means there's trouble. In a movie, when I enter, it's not a good thing. But I know where I'm at. But, you know, you don't have to call me by my character's name for months on end. Football taught me that, because you can go from being best friends to having to play that person on another team, you have to be able to turn that on and off. You need to find that middle ground.

There was definitely a pecking order, and when Stallone walked in, we were like, "All hail!" He came in with his big forearms, pointing and telling everybody where he wanted the cameras with his big cigar ablazing, and you just go, "This is Stallone!" with admiration, because none of us would be here without this guy. That's the thing, he changed movies forever

All of a sudden I got a call the night of the first time we were filming and they're like, "Terry, we made a mistake. We need you to be you. You're not a joke with these guys and you're not mousy, you're very aggressive. Now it just so happens that you're going through these things, but we need you to be more physical in your role."

School is cool. Thats why it rhymes