I'm actually a perpetual 13-year-old. I've never advanced beyond 13. Every day, tomorrow is my 14th birthday. That's my kind of humor.

I have the greatest appreciation for [producers] Matt Alvarez and Ice Cube. They put me in Friday after Next, and now this, which I hope is just the start of a long, wonderful relationship. I love the urban comedies, because they keep you famous, keep you having fun, and keep you in love with the business. Those are my roots. I'll always love doing those.

There's drama in everything. That's why I love movies. Like Welcome to the Dollhouse, I'm a 350-pound black man, and I could understand what it was like to be a little white girl.

SportsCenter? You watch it and I didn't miss one thing. Chris Berman, they give you the whole rundown. I'm like wow. And I go in there and I walk in the next day, I know everything. They'll be like, "Oh did you see that?" I'd be like "Yeah I did," but it didn't take five hours.

All of a sudden I got a call the night of the first time we were filming and they're like, "Terry, we made a mistake. We need you to be you. You're not a joke with these guys and you're not mousy, you're very aggressive. Now it just so happens that you're going through these things, but we need you to be more physical in your role."

My mantra is "I don't want to let anybody down." Maybe that's not the right attitude, because you can't please everybody. But I'm giving it everything I've got.

There was definitely a pecking order, and when Stallone walked in, we were like, "All hail!" He came in with his big forearms, pointing and telling everybody where he wanted the cameras with his big cigar ablazing, and you just go, "This is Stallone!" with admiration, because none of us would be here without this guy. That's the thing, he changed movies forever