Talent is less important in filmmaking than patience.

I do think so much of what I do is reactive to the way the world sees itself, or the way the world is being portrayed. I wanted to offer an alternative to that. Whether it is accepted or not is beside the point, but it's an alternative.

I never define depression, clinical or otherwise. It's the basis of most life, it seems to me, in the modern world. We're all depressed.

There's something about living in the country that I think makes you inventive, because nature is full of miracles and wonder and surprises, and if you don't have much money, you have to make things if you want things.

I'm a cartoonist, it's what I am at heart, so cartoons take reality and deform it and make it grotesque, you make it funny, but you alter it. If it works, it's based on reality. That's what I try to do.

My strength, if it's anything, is that I can lure some big-name actors in. That's probably the strength of almost any director now. On your own, as a director, you've only got so much weight. James Cameron, George Lucas, Steven Spielberg, Michael Bay... that's about it. Everybody else depends on the star power that they can draw.

The more money you have to work with, the more people you have to deal with that you probably don't want to be spending time dealing with.