Many artists use their own lives as a kind of case study to examine what it's like to be human.

So if Hillary [Clinton] is elected president, it will make history in two ways. She'll be the first woman president. And Bill Clinton, he'll be the first man and the first former president to return to the White House in the capacity of spouse.

My parents were pretty open about a lot of things, especially my mom. And any kind of little crazy thing I was into, she was very supportive of. You know, whether it was BMX bike racing or being in the Boy Scouts or surfing or anything else, she always seemed to sort of support it. And I think it's because she was an immigrant and that idea of sort of having her kids be able to have access to their dreams and whatever they wanted to follow was very important to her.

I learned that I never really know the true story of my guests' lives, that I have to content myself with knowing that when I'm interviewing somebody, I'm getting a combination of fact and truth and self-mythology and self-delusion and selective memory and faulty memory.

Work can take on a new dimension if you know something about the artist.

My father modestly referred to himself as the Great Santini when we were growing up. And he took it - I later learned he had seen a high-wire aerialist when he was a boy, and he was up doing acrobatics in his airplane, and when he came down one time - when was a young lieutenant - he said, I was better than the Great Santini today. And some of the other pilots heard it, and the nickname stuck.

A lot of the things that we think of as being racial differences are really class differences in America.