I learned that I never really know the true story of my guests' lives, that I have to content myself with knowing that when I'm interviewing somebody, I'm getting a combination of fact and truth and self-mythology and self-delusion and selective memory and faulty memory.

I respect someone's right to privacy and I want them to know it.

The excitement for me lies not so much in interviewing the hard-to-get famous person, but the person whom you are about to discover. You know, like maybe the character actors who are just coming into their own and you're realizing how great they are.

Sometimes when I'm on the internet, I'll get this, like, which of these ad experiences would you prefer? And I'll have a choice of, like, a car, a pharmaceutical item or, you know, clothing. And I'm thinking, like, I don't want any of these. Do I have to choose?

When you're reading a newspaper and you're seeing ads on the page, it's not kind of invasive. Like, it's on the page next to the article. You can look at it or not. You can turn the page when you're ready. On the internet, the ads - many of the ads - just are so controlling. They insist that you see them.

It bothers me when people, say, you know, write for, you know, a web publication and get paid little or nothing or, you know, expecting to, like, read the best newspapers in the world and not pay a cent for it. Those newspapers need money in order to operate.

When we spoke, Gene Wilder had just written a memoir called "Kiss Me Like A Stranger." The title was suggested by his late wife Gilda Radner three weeks before she died in 1989.