People go, 'What do you want to do?' What do you want to do? What are you feeling? Going into a shoot not fully knowing what I want to do—that excitement, that thing that happens, is just so powerful and makes such great pictures.

I want my photos to be fresh and urgent. A good photograph should be a call to arms.

I always say I make pictures rather than take pictures.

I don't work off lights and angles; I work off emotions. A mood that I create.

I didn't want to be a photographer. I wanted to play music and be a rock star. I didn't have a mentor telling me to take pictures and encouraging me. But when the music thing didn't work out, I became a photographer's assistant. And then I caught the bug.

I look fondly back on renegade days of my youth. Not the partying or anything, but it's still the spirit that I have always adhered to. When I do work that I like, it feels like a great punk song, like a burst of adrenaline. I've always kept this spirit in me, or some sort of connection to it.

Like Robert Mapplethorpe, Helmut Newton, and so many others before me, sexual imagery has always been a part of my photography.