I had always been more interested in playing and improvising than sitting down at a desk and writing out a piece. I'd always found it more fun to play, and the other a little bit tedious. I always had trouble with the decisions.

Essentially my contribution was to introduce repetition into Western music as the main ingredient without any melody over it, without anything just repeated patterns, musical patterns.

We are either going to dissolve as a human race or we are going to break through into a new understanding of what it is to be a human being.

The incredible thing about the human mind is that is didn't come with an instruction book.

I really didn't have a plan, I just went in and started playing. one of my specialties was to be able to play for a really long time without stopping and I would play these repeated patterns for hours and hours and I wouldn't seem to get tired.

It's not what happens to you in life that matters; what matters is how you deal with it!

Well I guess my music came to prominence around one piece called 'In C' which I wrote in 1964 at that time it was called 'The Global Villages for Symphonic Pieces', because it was a piece built out of 53 simple patterns and the structure was new to music at that time.