Someone wrote a piece about Henry Green in The Partisan Review that was so intriguing that I got one of his novels, Loving, I believe, which was the first that came to attention in the United States.

I met Claxton on the set of The Cincinnati Kid.

For a director and a producer to be named on the writing credits is practically unheard of.

An angel has no memory.

After Strangelove I also started work on an adaptation of The Collector.

It's often the case with directors that they don't like to share credit, which is the case of Stanley. He would prefer just A Film By Stanley Kubrick including music and everything.

The Loved One has been the most underrated film I've worked on.