I don't set boundaries for myself when I am writing; if I did, I would be paralyzed from the start, unable to write a word on the page.

I admire how she protects her energy and understands her limitations.

I think we have powerful role-models among us in the American West. Certainly the Hopis, a timeless civilization that understands sustainability and what that means about living in harmony, in tandem with the natural world. We have much to learn from them, and they will survive us, I feel certain about that.

I would say I am at peace with the mystery of my mother's journals. Of course, I will always wonder, but isn't that the creative tension of living with uncertainty? By leaving me her empty journals, my mother has made herself very present.

I take a deep breath and sidestep my fear and begin speaking from the place where beauty and bravery meet--within the chambers of a quivering heart.

My activism is a result of my love. So whether it's trying to preserve the wilderness in Southern Utah or writing about an erotics of place, it is that same impulse - to try to make sense of the world, to try to preserve something that is beautiful, to ask the tough questions, the push the boundaries of what is acceptable.

Our family has made its livelihood from the land, digging trenches for hundreds of miles cross-country. You could say this is a real paradox, to destroy the land, yet love it at the same time. This is a typical story of Westerners, how we build community through change.