I wonder how, among the Fremont, mothers and daughters shared their world. Did they walk side by side along the lake edge? What stories did they tell while weaving strips of bulrush into baskets? How did daughters bury their mothers and exercise their grief? What were the secret rituals of women? I feel certain they must have been tied to birds.

Democracy is an insecure landscape.

Story is a sacred visualization, a way of echoing experience.

I write about nuclear tests in Refuge - "The Clan of One-Breasted Women." With so many of the women in my family being diagnosed with breast cancer, mastectomies led to one-breasted women. I believe it is the result of nuclear fallout.

I live just outside of Salt Lake City in a place called Emigration Canyon. It's on the Mormon trail. So I feel deeply connected, not only because of my Mormon roots, which are five or six generations, but because of where we live. There isn't a day that goes by that I'm not mindful of the spiritual sovereignty that was sought by my people in coming to Utah.

When Emily Dickinson writes, “Hope is the thing with feathers that perches in the soul,” she reminds us, as the birds do, of the liberation and pragmatism of belief.

Wherever we are, we can call for and create these kinds of settings for authentic dialogue. This is the seedbed of social change. In a voiced community, we all flourish. But it's not easy. Revolutionary patience and persistence is required. It can be messy, it is unpredictable, and change, especially structural change takes time - time and leadership and the will of an engaged community. What is needed? In a word, courage.