I am obsessed by the idea of silence. I went through an entire library studying art, artists and their critics, philosophers, too, on the meaning and significance of the color white. I dreamed of white birds and white bears. I thought about the white pages of my mother's journals. I became enthralled with John Cage and his work, 4'33”, his masterpiece of ambient sound. Rauschenberg, too. And then at some point I let go. What sticks to the soul is what gets placed on the page. Maybe that's the unknown part, the mystery, the power of the empty page.

Words empower us, move us beyond our suffering, and set us free.

The hostility of this landscape teaches me how to be quiet and unobtrusive, how to find grace among spiders with a poisonous bite. I sat on a lone boulder in the midst of the curlews. By now, they had grown accustomed to me. This too, I found encouraging-that in the face of stressful intrusions, we can eventually settle in. One begins to almost trust the intruder as a presence that demands greater intent toward life. On a day like today when the air is dry and smells of salt, I have found my open space, my solitude, and sky. And I have found the birds who require it.

When one woman doesn't speak, other women get hurt.

There is an unraveling, a great unraveling that I believe is occurring. Not without its pain, not without its frustration. Perhaps the fundamentalism we see within America right now is in response to these changes. We fear change, and so we cling to what is known.

We find our voice, we lose our voice, we retrieve it, honor it, and hopefully, learn how to share it with others and stand in the center of our power. Translation is a theme. Fear and courage are a theme.

When I look in the mirror, I see a woman with secrets. When we don’t listen to our intuition, we abandon our souls. And we abandon our souls because we are afraid if we don’t, others will abandon us.