The creative process ignites our imagination, and I believe that that same imagination is what will propel us forward with issues of social change. I do think we have to acknowledge that we are a very capitalistic and consumptive nation, and that talk about conservation or issues of sustainability is never going to be popular with the dominant culture because it means checks and balances on an economy that is reserved for the dollar, rather than an economy that honors and respects spiritual resources and the right of all life to participate on the planet, not just our species.

Our family has made its livelihood from the land, digging trenches for hundreds of miles cross-country. You could say this is a real paradox, to destroy the land, yet love it at the same time. This is a typical story of Westerners, how we build community through change.

We have to speak out now on behalf of our community and on behalf of the land and say they're the same thing and say No, we are not rolling over and No, this is not a corporate enterprise. This is democracy in the fullest sense and we must have regard and reverence and those are the cornerstones of a just society.

I have a sequence to my creative life. In spring and fall, I am above ground and commit to community. In the summer, I'm outside. It is a time for family. And in the winter, I am underground. Home. This is when I do my work as a writer - in hibernation. I write with the bears.

I think community is a shared history, it's a shared experience. It's not always agreement. In fact, I think that often it isn't. It's the commitment, again, to stay with something - to go the duration. You can't walk away. It's like a marriage, only I think it's more difficult to divorce yourself from community than it is to a human being because the strands are interconnected and so various.

I remember as a child, my grandmother read to me Silent Spring. It was incomprehensible to me that there could be a world without birdsong.

Home is where we have a history.