The discipline of writing a memoir comes in the editing. This is where I cut, slash, and burn - where my creative mind is transformed into a ruthless one. No word escapes my scrutiny. It is here where I see what boundaries need to be set.

I will never be able to say what is in my heart because words fail us, because it is in our nature to protect, because there are times when what is public and what is private must be discerned.

I don't set boundaries for myself when I am writing; if I did, I would be paralyzed from the start, unable to write a word on the page.

There are different qualities of silence. There's the silence that sustains us, as women, that nourishes us, the silence where I believe our true voice, our authentic voice, dwells. But there's also the silence that censors us, that tells us what we have to say does not want to be heard, should not be heard, has no value. And that if we speak, it will be at our own peril. This kind of silence is deadly. This kind of silence is deadening to who we are as women. And when a woman is silenced, the world is silenced. When a woman speaks, there is an opening.

Mythmaking is the evolutionary enterprise of translating truths.

I admire how she protects her energy and understands her limitations.

I remember a phone call from a friend of mine who lives along the MacKenzie River. She said, "This is the first year in twenty that the chinook salmon have not returned." This woman knows the names of things. This woman is committed to a place. And she sounded the alarm.