Like a lady who has lost weight and she's just getting to that point where she can fit into that favourite dress, you get the film down to just about the right cut. You can feel it when it happens.

Michael Powell always used to say 'I'm a typical Englishman'. He was and he wasn't. He was very cosmopolitan and spent a lot of time in Europe.

I'd trained to be a diplomat but the state department said I was too liberal. I saw an ad in the New York Times ... a hack Californian editor came to New York to butcher some films and he needed an assistant. For some reason I read it that day and it changed my life. I went to work for him and he was horrible, butchering these masterpieces by Antonioni, Visconti, but I learned enough to know what he was doing wrong.

Jack Cardiff - the greatest cameraman who ever worked in colour - was a lab boy to start with so he knew Technicolor from the inside out.

I read the script just once, and then forget it.I just deal with what I see every day on the screen and whetherI believe it and understand it.

Like a lady who has lost weight and she's just getting to that point where she can fit into that favourite dress, you get the film down to just about the right cut. You can feel it when it happens.

[Martin] Scorsese says one of the great things he loves about it is how Mark can't get the right shot and he's killing people because he can't get the right shot. It's an example of what film-makers are like.