It's very difficult to put in the work unless you believe that what you're doing is significant in some way.

I loved writing something people usually have - miscommunication, for example. Now that I've written a romance, I'm sure I'll write more: it's fascinating to put people together and see what happens, how they fall in love and what that means in their lives.

The appeal of writing a romance was that I'd never written one before the The Thorn and The Blossom.

In the Forest of Forgetting do you remember any romances? All the relationships in those stories are dark and twisted - people fall in love, but they really shouldn't have. There's even a story about a marriage, but it focuses on a woman who marries a bear!

Now that The Thorn and the Blossom has come out and I'm done with my doctoral degree (yes, I'm finally Dr. Goss), I'm turning to longer projects.

Read a lot. But read as a writer, to see how other writers are doing it. And make your knowledge of literature in English as deep and broad as you can. In workshops, writers are often told to read what is being written now, but if that is all you read, you are limiting yourself. You need to get a good overall sense of English literary history, so you can write out of that knowledge.

I'm writinng my first full-length novel, which is based on a novella I wrote called "The Mad Scientist's Daughter." I'm having a wonderful time with it, but of course it's presenting challenges as well. Stories always do, no matter what they are.