The only thing worth thinking about, when I write a story, is whether I like it, whether I want to write it, whether it excites me.

The appeal of writing a romance was that I'd never written one before the The Thorn and The Blossom.

Now that The Thorn and the Blossom has come out and I'm done with my doctoral degree (yes, I'm finally Dr. Goss), I'm turning to longer projects.

Delia Sherman once told me that you never learn to write a story. You only learn to write the story you are currently writing. You have to learn how to write the next story all over again. And she's absolutely right.

I actually pushed the boundaries on how long a book like this [The Thorn and the Blossom] can be. The original plan called for two 7,500 word stories, and I turned in two 10,000 word stories.

I'm writinng my first full-length novel, which is based on a novella I wrote called "The Mad Scientist's Daughter." I'm having a wonderful time with it, but of course it's presenting challenges as well. Stories always do, no matter what they are.

It's appropriate to have magic in a love story, because magic is a sort of metaphor for what love feels like? When we fall in love, the world feels magical to us. It becomes an enchanted place.