When something is moving you get that intake of breath and that stillness from the audience.

An actor is supposed to emulate life. Instead, alas, many are imitating other actors. You don't fashion your knowledge of theatre or your approach to a role on the basis of what other actors have done. This kind of thinking is a great danger, especially in dealing with TV producers who frequently say things like, 'This is a Sean Connery type.'

Despite a large body of work in films, TV, theatre and concerts, I am viewed by many as a Jewish artist. I do not resent the label, except for the fact that I disapprove of labels in general.

I refuse to do shows that are narrowly constructed, that appeal to only one sentiment. I do a lot of Jewish material in front of non-Jews and a lot of non-Jewish material in front of Jews on the simple theory that the non-Jews are entitled to a glimpse of a Jewish world and the Jews are entitled to a glimpse of the world.

On the stage you're there, it's live. There's a beginning, a middle, an end. When something is funny you hear it right away.

What moves me is neither ethnocentric pride nor sectarian arrogance. I make no claim that Jewish culture is superior to other cultures. But it is mine.

I am a universalist, passionately devoted to the cause of equality within the human family.