I tend to work in the mornings, then take a few hours off in the afternoon to walk the dog, and then come back and work in the evening. So, if I can remember my pre-dog walking music when I get back then that's fine, I'll kind of commit to those bits, but if I can't remember them I'll just move on to something else.

My dad owned a tiny little shop and we never had any family holidays or anything like that, so I was sent to boarding school as a means of control more than anything I think.

Obviously I can't rely on my group, but I don't want to rely on a laptop just to play back some backing tracks, that's not the way I do things really.

It's the way I make music, I will take two ideas and smash them together and if they sit well together for me then that's fine, and it's the same with the lyrics - if I see a couple of lines and I like the way they look on the page then I'll use them. I find they take on a meaning of their own, it's very difficult to explain how I actually go about all that.

Sometimes I just experiment quite a lot. I've always got my computer set up to record so I'll just record a sort of library of ideas [that] I'll either come back to or use as they stand.

I still use a lot of cut-ups, I physically cut-up pieces of paper and stick them all together on another piece of paper then I'll think, "Ah, that looks good," or shuffle them around a bit and then I'll photocopy it and then that's my lyrics.

As a person who has a pretty short attention span I think of music like that, completely. That's why I can quite happily change genres mid-song.