We learned in the university to consider Wordsworth and Keats as Romantics. They were only a generation apart, but Wordsworth didn't even read Keats's book when he gave him a copy.

I try not to observe myself in the process of composing a poem because I don't want to come up with a formula, which I would then be unscrupulous in using.

I was at a benefit for some imprisoned students in the '60s at San Francisco State, and there were lots of poets reading for the benefit: one was Elizabeth Bishop.

Many of my poems are not sexual.

I work best in rhyme and meter. I was most confident of myself in that way.

My thoughts are crowded with death and it draws so oddly on the sexual that I am confused to be attracted by, in effect, my own annihilation.

We tend to put poems into factions. And it restricts our reading.