Art in progress. MAK has occupied a unique and valuable space as international host for discourse between the arts and architecture.

You can't make anything authentic by asking people what they want because they don't know what they want. That's what they're looking at you for.

Look around at day-to-day life for ideas, and it finds its way into your work.

I'm interested in conflict and confrontation.

Large-scale public projects require the agreement of large numbers of people.

So I am totally aware that when I defend the autonomy of art I'm going counter to my own development. It's more an instinctive reaction, meant to protect the private aspect of the work, the part I am most interested in and which nowadays is at risk in our culture.

We only exist in terms of how we think we exist. Meaning every cultural development is fabricated and can be fabricated.