We come from a generation that wanted to make electronic music accepted, at a time [when] it was not.

We're genuinely happy if some musicians of this younger generation are influenced by our music, as we were ourselves influenced 10 years ago by older musicians.

We feel like we're building something aesthetically, so we like the idea of the evolution. So far, each piece of music or everything has been to expand it, instead of backtracking or trying to destroy what we have done.

The thousands of clips on internet are better to us than any DVD that could have been released.

We like the idea that the things we do seem to come out of nowhere.

There is indeed a level of improvisation where we can distort and shuffle the music patterns, samples, and loops in each phase of the show within fixed cue points, but at the same time there is a constant result that we are trying to achieve each night while performing and operating our system - quite similar in spirit to a broadway show for example: If you go see a musical two nights in a row, the performances are different yet similar.

If everybody knows all the tricks, it's no more magic.