We come from a generation that wanted to make electronic music accepted, at a time [when] it was not.

The thousands of clips on internet are better to us than any DVD that could have been released.

The place of electronic music, culturally and socially, is today completely different - it is now everywhere, and it has been totally accepted. Consequently, there is now a younger generation that is more focused on making great electronic music, good parties, and having fun, where there is not any more so much need for cultural and ideological statements in electronic music itself.

Hip-hop has always been exciting and interesting to us.

You never know whether something will be good.

We feel like we're building something aesthetically, so we like the idea of the evolution. So far, each piece of music or everything has been to expand it, instead of backtracking or trying to destroy what we have done.

There is indeed a level of improvisation where we can distort and shuffle the music patterns, samples, and loops in each phase of the show within fixed cue points, but at the same time there is a constant result that we are trying to achieve each night while performing and operating our system - quite similar in spirit to a broadway show for example: If you go see a musical two nights in a row, the performances are different yet similar.