If the outer world is diminished in its grandeur, then the emotional, imaginative, intellectual, and spiritual life of the human is diminished or extinguished. Without the soaring birds, the great forests, the sounds and coloration of the insects, the free-flowing streams, the flowering fields, the sight of clouds by day and the stars at night, we become impoverished in all that makes us human.

As in creating some significant work the artist first experiences something akin to dream awareness that becomes clarified in the creative process itself, so we must first have a vision of the future sufficiently entrancing that it will sustain us in the transformation of the human project that is now in process.

We need to move: from a spirituality of alienation from the natural world to a spirituality of intimacy with the natural world from a spirituality of the divine as revealed in words to a spirituality of the divine as revealed in the visible world about us.

We see quite clearly that what happens to the nonhuman, happens to the human. What happens to the outer world, happens to the inner world.

The real skill is to raise the sails and to catch the power of the wind as it passes by.

In relation to the earth we have been autistic for centuries. Only now have we begun to listen with some attention and with a willingness to respond to the earth's demands that we cease our industrial assault, that we abandon our inner rage against the conditions of our earthly existence, that we renew our human participation in the grand liturgy of the universe.

The world of life, of spontaneity, the world of dawn and sunset and starlight, the world of soil and sunshine, of meadow and woodland, of hickory and oak and maple and hemlock and pineland forests, of wildlife dwelling around us, of the river and its wellbeing--all of this [is] the integral community in which we live.