It's great to represent things that are not represented.

I wanted to direct when I was very young. I had no idea of cinema, of who's doing what. That was my first instinct: "Okay, I want to be the boss."

When someone offers me a job or a project, I always ask myself, "What does it tell me about the world?" and "Have I seen it before?" Two good questions.

People who work in distribution will be distributors all their life.

Editing is a very tough period. You're confronted with yourself. It's a deep, dark, truthful mirror.

The great thing about Europe is that things have not been represented [as much]. If you open the door of a bar in Brooklyn in a film you know exactly who is the mobster, who is the nice guy, who is the drunk, who's the waitress, who's the lonely heart. If you push open the door to a bar in Antwerp or Lisbon or Rotterdam, people will talk five different languages. You don't know who's who. You don't know if that guy is a banker or a mobster.

I think it's great to change - change country, change anything.