I once painted a concert singer and on the chestnut frame I carved the opening bars of Mendelssohn's Rest in the Lord. It was ornamental unobtrusive and to musicians I think it emphasized the expression of the face and pose of the figure.
Thomas EakinsThe brush is a more powerful and rapid tool than the point or the stump... the main thing that the brush secures is the instant grasp of the grand construction of a figure.
Thomas EakinsI have never discovered that the nude could be studied in any way except the way I have adopted. All the muscles must be pointed out. To do this all the drapery must be removed.
Thomas Eakins