There's moments that are very personal in The Divorce. There are moments that are sort of unwatchably vulgar or intimate or pathetic. I even had this conversation with my mom. My mom saw the pilot and she was like, "I just thought that some of it seemed nasty." I'm like, "Mom. You're from a whole different generation. And yeah. There's some nastiness that goes on."

I've been an admirer of Helen Mirren for a long time. As I get older, I find myself admiring older women who have poise and elegance.

I love going to the feed store and drinking coffee and talking about how much rain we need.

The Divorce isn't like the Da Vinci Code of TV shows. I'm not saying only a secret society is going to understand divorce. But it is a very specific show. And I don't know if you looked at a lot of the press. There's been some unpleasant reviews. And I'm not faulting those people but, they're really just not getting what we're trying to do. Which is to say, look. That may not be some people's taste. And that's fine.

I like to keep my private stuff pretty vague.

Villains with a conscience have this sad realization of who they are, and the monster they've become — there's a sense of regret. So at the end of these movies there's a dramatic resonance that really stays with the audience.

I certainly was an actor and then I drifted more towards writing and directing.