Spaces devoted to Hannibal Lecter’s earliest years differ from the other archives in being incomplete. Some are static scenes, fragmentary, like painted attic shards held together by blank plaster. Other rooms hold sound and motion, great snakes wrestling and heaving in the dark and lit in flashes. Pleas and screaming fill some places on the grounds where Hannibal himself cannot go. But the corridors do not echo screaming, and there is music if you like.
Thomas HarrisIt's fear, Jack. The man deals with a huge amount of fear.' Because he got hurt?' No, not entirely. Fear comes with imagination, it's a penalty, it's the price of imagination.
Thomas HarrisIn her way, she was a hard one. Faith in any sort of natural justice was nothing but a night light; she knew of that. Whatever she did, she would end the same way with everyone does: flat on her back with a tube in her nose, wondering, "Is this all?
Thomas Harris