Scheduling is always tough, no matter what the budget size is, and we had our own run-ins with that, on 'Fading of the Cries.'

Compromise is the key element. The more constraints you have, the more compromise you have to have. But, I personally believe that, when that happens, you have to get more creative, and you end up with something that is even better.

If I had 10 ideas and people said yes to all of them, half of them could be crap. But, if I've got 10 ideas and we really only have the budget for one of them, then we have to pick the best one that is our most creative element.

I didn't really have the entire high school experience. I've been working since I was six years old, so I didn't go to the classic high school.

For me, as an actor, the most challenging thing is creating the character in the beginning because you have to write their backstory. The easy part about doing a sequel is that you've done the film, so you already know their backstory.

Scheduling is always tough, no matter what the budget size is, and we had our own run-ins with that, on 'Fading of the Cries.'

Making a movie is like getting married. You're like, "Am I going to marry this project? Am I ready for that kind of commitment?"