When I was doing character films, I would always try to find something to subvert the standard. You know, to play them exactly for what they are. That's the fun for me.

It's not that the film is violent, it's that people have an issue with violence right now.

Earlier on in my career I felt that I had to hide behind a lot of different masks, and showboat ways of performing. Now, that's a lie. The less I have to hide, the less I have to act.

I think all good drama is funny. All the best drama is ultimately very funny. Life is funny. You can't have any honest treatise on life without bumping into some humor.

I like filmmakers where, if their film comes on and you step in halfway through it, you can recognize that, hey, this is a Coen Brothers film. Or, hey, this is a Stanley Kubrick movie. You can recognize some filmmakers. Like, if you put on a Sam Raimi movie, you can tell that it's a Sam Raimi movie pretty quickly. I like a signature style that people can recognize and relate to, and connect with. I think that is part of why we seek out certain directors. We want to see how they view the world.

I'm interested in people that don't always do the right thing, its much more akin to what I know about life.

When I was a kid out here in L.A., I was homeless, I didn't have any money and I was living in my car. I wasn't averse to going down to Santa Monica Boulevard and letting a guy buy me a sandwich. Know what I mean?