I like to imagine that all the choices you make during the day that you're doing a particular scene are going to feed into the creation of that scene. It's not a movie-by-movie or a part-by-part basis. It's a day-by-day thing, and sometimes an hour-by-hour thing.

I like to imagine that all the choices you make during the day that you're doing a particular scene are going to feed into the creation of that scene. It's not a movie-by-movie or a part-by-part basis. It's a day-by-day thing, and sometimes an hour-by-hour thing.

Creating a world in a sci-fi show is almost the whole battle. If you have a great story and you can create a great world, as far as the acting goes, it makes my job a whole lot easier.

I still collect comics. I still have a great love and respect for the genre.

I like filmmakers where, if their film comes on and you step in halfway through it, you can recognize that, hey, this is a Coen Brothers film. Or, hey, this is a Stanley Kubrick movie. You can recognize some filmmakers. Like, if you put on a Sam Raimi movie, you can tell that it's a Sam Raimi movie pretty quickly. I like a signature style that people can recognize and relate to, and connect with. I think that is part of why we seek out certain directors. We want to see how they view the world.

I can't stand to see myself act. It just makes me cringe.

Most of my career up until the last couple of years has basically been a training ground for me. Actors that came up in the '50s and '60s, they had the theater, and television was in its infancy.