One of the reasons I always come back to representations of loneliness in plays, films, and literature is that they give us specific examples of the powerful hold that it has on us, and yet, paradoxically, by representing what can't really be represented, so to speak, they give us ways of going forward even as we fall apart.

Worldwide, the twentieth century has seen the rise of extraordinary concentrations of economic and political power - evoking the people as the source of power while simultaneously privatizing its most meaningful exercise. Democracy always seems to be at least slightly elusive under such conditions.

There are degrees of loneliness, ways in which the experience of loneliness deepens, becomes something like what we might call a way of life. This way of life is both what is most damaging to us as a culture, and, paradoxically, contributes to its richness. It may in the end be our lasting contribution to the life of our planet.

One of the reasons I always come back to representations of loneliness in plays, films, and literature is that they give us specific examples of the powerful hold that it has on us, and yet, paradoxically, by representing what can't really be represented, so to speak, they give us ways of going forward even as we fall apart.

In one of my favorite anecdotes about Foucault, someone asks him why he writes books. He responds by saying something like "When I begin to write a book, I do not know how it will come out, what it will say in the end. If I already did, I wouldn't need to write it."

As lovers of truth, we want to be close to it. Sometimes - evil thought, evil temptation - we want to be close to it by misleading others about its presence.

I look back on some of my early reviews of others, and realize to my chagrin that I've been as guilty as anybody else on that front.