Not many French producers work the American way. In France, the director decides everything, he has final cut. I'm trying to do things differently, without the Luc Besson solution.

My dad always, he helped me by not helping me. He always said, being a producer, it was all about conviction.

It doesn't matter if it's black-and-white. If a movie has a story that is filled with emotion, you can have as much pleasure, and it's very good for cinema.

I reread Mesrine's book every year because the way the story is told is fascinating. Today, we don't have gangsters like Mesrine - he had humor.

When my father made 'Jean de Florette' and 'Manon des Sources' back to back, everybody said, 'Why two movies?' But you need two movies to show how criminality evolves, and to tell the story: You can't show a man in love with so many women in one big biopic.

Being recognized by Hollywood is a dream true; it's really an amazing moment.

Not many French producers work the American way. In France, the director decides everything, he has final cut. I'm trying to do things differently, without the Luc Besson solution.