We live in a permanent state of bad faith, a mutual representation of ourselves to one another for the sake of remaining sane and following our biological imperative to continue as a species.

The finest people, as people go, cannot help but betray a fair portion of fear and insecurity, even full-blown panic.

No other life forms know they are alive, and neither do they know they will die. This is our curse alone. Without this hex upon our heads, we would never have withdrawn as far as we have from the natural—so far and for such a time that it is a relief to say what we have been trying with our all not to say: We have long since been denizens of the natural world. Everywhere around us are natural habitats, but within us is the shiver of startling and dreadful things. Simply put: We are not from here. If we vanished tomorrow, no organism on this planet would miss us. Nothing in nature needs us.

My imagination? No, I don't think it's VIVID at all. On the contrary, it's not nearly potent enough. My poor imaginative faculties have always needed...extentions. That's why I'm here with you. You're smiling again, or rather you're SMIRKING. Funny word, smirk. Rather like an extraterrestrial surname. Simon Smirk. How do you think that sounds?

I wanted to do things to Richard that would make the sun grow cold with horror.

We live in a permanent state of bad faith, a mutual representation of ourselves to one another for the sake of remaining sane and following our biological imperative to continue as a species.

The ‘experimental’ writer, then, is simply following the story’s commands to the best of his human ability. The writer is not the story, the story is the story. See? Sometimes this is very hard to accept and sometimes too easy. On the one hand, there’s the writer who can’t face his fate: that the telling of a story has nothing at all to do with him; on the other hand, there’s the one who faces it too well: that the telling of the story has nothing at all to do with him