Innate in nearly every artistic nature is a wanton, treacherous penchant for accepting injustice when it creates beauty and showing sympathy for and paying homage to aristocratic privilege.

If the years of youth are experienced slowly, while the later years of life hurtle past at an ever-increasing speed, it must be habit that causes it. We know full well that the insertion of new habits or the changing of old ones is the only way to preserve life, to renew our sense of time, to rejuvenate, intensify, and retard our experience of time - and thereby renew our sense of life itself. That is the reason for every change of scenery and air.

Technology and comfort - having those, people speak of culture, but do not have it.

The accouterments of life were so rich and varied, so elaborated, that almost no place at all was left for life itself. Each and every accessory was so costly and beautiful that it had an existence above and beyond the purpose it was meant to serve – confusing the observer and absorbing attention.

Forbearance in the face of fate, beauty constant under torture, are not merely passive. They are a positive achievement, an explicit triumph.

Yes, they are carnal, both of them, love and death, and therein lies their terror and their great magic!

The observations and encounters of a solitary, taciturn man are vaguer and at the same times more intense than those of a sociable man; his thoughts are deeper, odder and never without a touch of sadness. Images and perceptions that could be dismissed with a glance, a laugh, an exchange of opinions, occupy him unduly, become more intense in the silence, become significant, become an experience, an adventure, an emotion. Solitude produces originality, bold and astonishing beauty, poetry. But solitude also produces perverseness, the disproportionate, the absurd and the forbidden.