Literature is the ditch I'm going to die in. It's still the thing I care most about.

Early on I decided that fishing would be my way of looking at the world. First it taught me to look at rivers. Lately it has been teaching me how to look at people, myself included.

We have reached the time in the life of the planet, and humanity's demand upon it, when every fisherman will have to be a river-keeper, a steward of marine shallows, a watchman on the high seas. We are beyond having to put back what we have taken out. We must put back more than we take out.

Angling is extremely time consuming. That's sort of the whole point.

In the future, I mean to be a fine streamside entomologist. I'm going to start on that when I am much too old to do any of the two thousand things I can think of that are more fun than screening insects in cold running water

We both liked children; we just didn't want any ourselves. There were children everywhere, and we saw no reason to start our own brand. Young couples plunge into parenthood and about half the time they end up with some ghastly problem on their hands. We thought we'd leave that to others.

To me, no painter has ever quite understood the light, the distances, the aboriginal ghostliness of the American West as well as Maynard Dixon. The great mood of his work is solitude, the effect of land and space on people. While his work stands perfectly well on its claims to beauty, it offers a spiritual view of the West indispensable to anyone who would understand it.