It's important, I think, for a writer of fiction to maintain an awareness of the pace and shape of the book as he's writing it. That is, he should be making an object, not chattering.

There is no place so benighted and godforsaken that some moron won't go there on vacation. People could be living in an open sewer and swallowing dirt to stop the hunger, and there'd be a couple from Larchmont wearing comfortable shoes there to take pictures of them.

Reading a novel in which all characters illustrate patience, hard work, chastity, and delayed gratification could be a pretty dull experience.

When I write a book, I'm making it the best book I can.

Tod Goldberg has long been one of the most interesting writers around, and Gangsterland is his biggest and best book so far.

The characters you refer to as predatory and unsavory are useful. They're the ones who make a novel into a thriller. They're active, and most of the common virtues, the signs of a good person, are not.

Being comfortable isn't the way to learn to expand your abilities.