I don't think the problem is that people don't read enough mystery books, but that people don't read.

What I look for in any character, good or bad, is whether I can hear him speak. If I can imagine him that clearly, then I can write about him.

Reading a novel in which all characters illustrate patience, hard work, chastity, and delayed gratification could be a pretty dull experience.

I do try not to spend much time reading in the suspense genre.

Yes, in my books I do edit myself to keep from becoming the Village Explainer.

I don't consciously do anything to maintain a unique voice.

Tod Goldberg has long been one of the most interesting writers around, and Gangsterland is his biggest and best book so far.