The Saint whose water can light lamps, the clairvoyant whose lapse in recall is the breath of God, the true paranoid for whom all is organized in spheres joyful or threatening about the central pulse of himself, the dreamer whose puns probe ancient fetid shafts and tunnels of truth all act in the same special relevance to the word, or whatever it is the word is there, buffering, to protect us from. The act of metaphor than was a thrust at truth and a lie, depending where you were: inside, safe or outside, lost.

Darkness invades the dreams of the glassblower. Of all the unpleasantries his dreams grab in out of the night air, an extinguished light is the worst. Light in his dreams, was always hope: the basic, moral hope. As the contacts break helically away, hope turns to darkness, and the glassblower wakes sharply tonight crying, "Who? Who?"

Liebig himself seems to have occupied the role of a gate, or sorting-demon, such as his younger contemporary Clerk Maxwell once proposed, helping to concentrate energy into one favored room of the Creation at the expense of everything else.

I dream that I have found us both again, With spring so many strangers' lives away, And we, so free, Out walking by the sea, With someone else's paper words to say.... They took us at the gates of green return, Too lost by then to stop, and ask them why- Do children meet again? Does any trace remain, Along the superhighways of July?

So generation after generation of men in love with pain and passivity serve out their time in the Zone, silent, redolent of faded sperm, terrified of dying, desperately addicted to the comforts others sell them, however useless, ugly or shallow, willing to have life defined for them by men whose only talent is for death.

this is america, you live in it, you let it happen. let it unfurl.

But a few choosing to venture deeper into the painful corridors of their affliction, found after a while that they could now grind and polish ever more exotic surfaces, hyperboloidial and even stranger, eventually including what we must term ‘imaginary’ shapes (which some preferred to term invisible).