Liebig himself seems to have occupied the role of a gate, or sorting-demon, such as his younger contemporary Clerk Maxwell once proposed, helping to concentrate energy into one favored room of the Creation at the expense of everything else.

So the city became the material expression of a particular loss of innocence – not sexual or political innocence but somehow a shared dream of what a city might at its best prove to be – its inhabitants became, and have remained, an embittered and amnesiac race, wounded but unable to connect through memory to the moment of injury, unable to summon the face of their violator.

Explosion without an objective', declared Miles Blundell, 'is politics in its purest form'.

Perhaps its familiarity rendered it temporarily invisible to you.

I dream that I have found us both again, With spring so many strangers' lives away, And we, so free, Out walking by the sea, With someone else's paper words to say.... They took us at the gates of green return, Too lost by then to stop, and ask them why- Do children meet again? Does any trace remain, Along the superhighways of July?

Shall I project a world?

For every kind of vampire, there is a kind of cross